REVIEWS

/ Ian Cheng
View of Ian Cheng, Emissary Forks at Perfection, Pilar Corrias, London, 2015.
by

Matthew McLean

“How long do I need to stay,” I asked a staff member at Pilar Corrias of Ian Cheng’s Emissary Forks at Perfection (2015), “to watch the whole thing?” “It’s a live simulation,” they said of the title work of the artist’s first solo exhibition in London, “so it’s infinite.” Reconsidering,... continue reading

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