REVIEWS

/ Lawrence Abu Hamdan
Installation view of Lawrence Abu Hamdan, Earwitness Inventory, 2018.
by

Jeremy Millar

Lawrence Abu Hamdan’s latest project emerged from his involvement with an extensive—and emotionally harrowing—2016 investigation by Forensic Architecture into Saydnaya Prison in Syria, commissioned by Amnesty International. (The investigation was presented in Forensic Architecture’s exhibition at London’s Institute of Contemporary Arts earlier this year, for which they were nominated for... continue reading
Lawrence Abu Hamdan’s “The All Hearing”

LAVERONICA ARTE CONTEMPORANEA, Modica

Lawrence Abu Hamdan, The All Hearing, 2014. Digital video, 13:00 minutes.
by

Ben Eastham

At the entrance to Lawrence Abu Hamdan’s “The All Hearing” a tape delay device perches on a plinth, its magnetic tape wrapped around an external spool (The End of Every Illusionist, 2013). Through the attached pair of headphones emerges the artist’s voice, its vowels lightly pressed by his Yorkshire upbringing,... continue reading

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