REVIEWS

/ Marnie Weber
Marnie Weber, The Day of Forevermore, 2016.
by

Andrew Berardini

During the day, Halloween masks look pretty cheesy. Hanging from the drugstore rack’s seasonal aisle under the terrible clarity of fluorescents and the afternoon sun, it’s hard to image these killer clowns and fat-cheeked Frankensteins frightening anyone. Their warped faces and weeping pustules, yellowed horns and sharpened teeth, all a... continue reading

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Aperture
Luisa Strina
Friedrich Petzel
Brooklyn Rail
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The breeder
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