REVIEWS

/ Marvin Gaye Chetwynd
Installation view, Marvin Gaye Chetwynd, "Ze & Per," 2018.
by

Philomena Epps

Marvin Gaye Chetwynd’s practice, with its hubbub of miscellaneous and licentious references, evokes a mood of historic and anthropological ambiguity. Her works enmesh periods of cultural rebellion over the centuries, from medieval history, folk plays, and pagan festivals, to the genesis of Dada, and from the DIY culture of drag... continue reading
Marvin Gaye Chetwynd’s “Bat Opera 2”

GALLERIA MASSIMO DE CARLO, Milan

Marvin Gaye Chetwynd, Industrial Estate (detail), 2014.
by

Barbara Casavecchia

“And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, ‘Do cats eat bats? Do cats eat bats?’ and sometimes, ‘Do bats eat cats?’ for, you see, as she couldn’t answer either question, it didn’t much matter which way she... continue reading

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Art Newspaper
Cardi Black Box
P420
Vitamin creative space
Brooklyn Rail
Carolina Nitsch
Tulips & Roses
Air the paris
MIA Art Fair
e-flux iPad
art-agenda
The breeder
Camera Austria