REVIEWS

/ Melanie Smith
Melanie Smith

GALERIE PETER KILCHMANN, Zürich

Melanie Smith, Elevador, 2012.
by

Aoife Rosenmeyer

Orpheus’s descent into the Underworld and fruitless return finds its best contemporary analogy in the fate that befell the Chilean miners trapped underground for two months before their rescue in October 2010, when they were hauled to the surface one by one to a waiting barrage of media. In both... continue reading

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