REVIEWS

/ BARBARA CASAVECCHIA
Luisa Lambri’s “New Works”

STUDIO GUENZANI, Milan

Luisa Lambri, Untitled (100 Untitled Works in Mill Aluminium 1982–1986, #01), 2012.
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Barbara Casavecchia

Whenever I see a photo by Luisa Lambri, I think of a painting done by Gwen John (whose work remained in the shadows of her more famous brother Augustus until recently). It’s called A Corner of the Artist’s Room in Paris (1907–9) and it depicts a luminous corner of... continue reading
View of “Gespräche über persönliche Themen: Miroslaw Balka and Roni Horn” at Galleria Raffaella Cortese, Via Stradella 7, Milan, 2012.
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Barbara Casavecchia

There are portraits of two women in this exhibition by Miroslaw Balka and Roni Horn. Who knew that a portrait of a lady could reveal so much, that a portrait of a lady could become a portrait of the artist? It’s tempting to read these images as condensed biographies reflecting... continue reading
David Maljkovic, A Long Day for the Form (detail), 2012.
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Barbara Casavecchia

I saw David Maljkovic’s exhibition in Rome on the same day the Italian association of contemporary art museums (A.M.A.C.I.) had called for a general meeting in the capital, to discuss the impact of the economic crisis and protest against the government’s indifference toward all its requests. The assembly was held... continue reading
Judith Hopf’s “A Sudden Walk”

KAUFMANN REPETTO, Milan

View of Judith Hopf, "A Sudden Walk," kaufmann repetto, Milan, 2012.
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Barbara Casavecchia

Blame it on Pippi Longstocking and a 70s-style, girl-power upbringing, but as a kid I too dreamt of living alone with a clever white horse called Old Man whom I could lift up with a finger. I refused to take too seriously the circus of adults who pretended to have... continue reading

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