REVIEWS

/ LORENA MUNOZ-ALONSO
(Left) Braco Dimitrijević, Casual Passer-By I Met at 1.14pm, London 1978, 1978. (Right) Braco Dimitrijević, About Two Artists (Leonardo – Evans), 1988.
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Lorena Munoz-Alonso

Braco Dimitrijević’s current exhibition at MOT International offers a careful selection of early works by this Paris-based, Sarajevo-born pioneer of Conceptual art. The show’s title, “Early London Years,” refers to the period from 1971 to 1973 when the artist lived there, although a number works produced in other cities like... continue reading
Frieze Art Fair

FRIEZE ART FAIR, London

Judy Chicago, Rearrangeable Rainbow Blocks, 1965.
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Lorena Munoz-Alonso

The ecosystem of Frieze Art Fair in London keeps growing, like a healthy family of good-looking siblings. That is, indeed, exciting, but it is also a real tour de force for visitors, who since last year have not just one, but two highly distinct fairs to enjoy (the main one... continue reading
View of Jack Lavender’s “Dreams Chunky,” The approach, London, 2013.
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Lorena Munoz-Alonso

The group of sculptures gathered here feel like the remnants of some stranded explorer’s dedicated toil, the evidence of an island-bound prisoner bent on making the most of his imposed yet paradisiacal isolation. And it’s this placid, oceanic mood that dominates “Dreams Chunky,” Jack Lavender’s first solo show at The... continue reading
Gabriel Kuri, Double Self Portrait in Tension (Two Point Crossed Section Chart), 2012.
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Lorena Munoz-Alonso

Contingency and probability are long-standing conceptual interests for Mexican artist Gabriel Kuri. His 2011 exhibition at South London Gallery was titled “Before Contingency After the Fact,” for example. His current show at Sadie Coles is titled “Classical Symmetry, Historical Data, Subjective Judgement,” which, according to statistician David Spiegelhalter, are the... continue reading
ARCOmadrid

ARCOMADRID, Madrid

Javier Téllez, Caligari und der Schlafwandler, 2008.
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Lorena Munoz-Alonso

This year’s edition of ARCOmadrid Art Fair was having none of the doom and gloom that usually accompany the fair. The Spanish art scene has tended to berate its most important and oldest art fair, a feeling which intensified when it was subject to management disagreements and ensuing conflicts with... continue reading
Luis Camnitzer’s “Reflejos y Reflexiones”

PARRA & ROMERO GALLERY, Madrid

View of, “Reflejos y Reflexiones”, Parra & Romero Gallery, Madrid, 2011.
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Lorena Munoz-Alonso

After several years of teaching and working in printmaking, the Uruguayan artist Luis Camnitzer made what he considers to be his first conceptual piece. It was 1966: written in black plastic lettering over a white board, two sentences accosted the viewer, “This is a mirror. You are a written sentence.”... continue reading

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ARTIST

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galeria nara roesler
Friedrich Petzel
Peres Projects
e-flux iPad
Carolina Nitsch
Air the paris
MIA Art Fair
The Third Line
GALLERIA MASSIMODELUCA
P420
Kaleidoscope
Camera Austria
Michael Kon