REVIEWS

/ KIM LEVIN
View of Bruce Nauman's "Contrapposto Studies, i through vii," Sperone Westwater, New York, 2016.
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Kim Levin

He was considered a lightweight in the early days of post-minimalism but for decades Bruce Nauman has been praised as one of the most wildly influential artists of our time. His video performances with the sounds of their own making hover between tedium and enthrallment, banality and profundity, repetition and... continue reading
View of Ana Mendieta's "Experimental and Interactive Films," Galerie Lelong, New York, 2016.
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Kim Levin

It is now impossible to speak of Ana Mendieta’s pioneering, ritualized, land-body performance art without referring to the still unsettling manner of her untimely death—fallen, pushed, or thrown from a 34th-story window on Mercer Street, New York. Back in 1988, shortly after her husband Carl Andre was acquitted of Mendieta’s murder,... continue reading
Mike Kelley

HAUSER & WIRTH, New York

View of "Mike Kelley," Hauser & Wirth, New York, 2015.
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Kim Levin

Astute observers in the art world were puzzled by Mike Kelley’s move from Metro Pictures to Gagosian in 2005. It seemed as if he had left a warm and supportive family concern for the cold new world of unfettered late capitalism. In the wake of the artist’s 2012 suicide, there... continue reading
Vitaly Komar’s “Allegories of Justice”

RONALD FELDMAN FINE ARTS, New York

Vitaly Komar, Victory over the Sun, 2010–2015. Tempera and oil on canvas, 36 x 108 inches.
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Kim Levin

Vitaly Komar, formerly half of the illustrious team Komar & Melamid, which split in 2003, continues to paint in a style he has dubbed “New Symbolism.” For more than a decade, his virtuosic paintings of the proverbial scales of justice, tiny birds of truth, hulking Russian bears waving red flags,... continue reading

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Aperture
P420
Vitamin creative space
galeria nara roesler
Kaleidoscope
ArtAsiaPacific
e-flux iPad
Hilger
Blum&Poe
Luisa Strina
Air the paris
GALLERIA MASSIMODELUCA
Michael Kon