REVIEWS

/ TESSA LAIRD
“Endless Circulation,” TarraWarra Biennial 2016

TARRAWARRA MUSEUM OF ART, Victoria

View of “Endless Circulation,” TarraWarra Biennial, 2016.
by

Tessa Laird

Contemporary biennials are never simply showcases for new work: they bear the weight of meta-commentary. As they struggle to articulate the conditions of their own production and reception, they become lightning rods for debates, not least those concerning art world complicity with, or resistance to, globalization. The networks and flows... continue reading

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