REVIEWS

/ LEIGH MARKOPOULOS
View of the Hayward Gallery, Southbank Centre.
by

Leigh Markopoulos

Leigh Markopoulos’s Spaces feature, dedicated to “The Historical Gallery,” appears here in its original draft. The editorial process was interrupted by Leigh’s sudden death, which left her words, alongside all her future projects, forever suspended. Those who had the privilege of knowing Leigh will recognize the tone of her voice... continue reading
Adja Yunkers, A Human Condition, 1966. Acrylic on canvas, mural at Syracuse University.
by

Leigh Markopoulos

In the wing mirror on the passenger side of a vehicle, objects are closer than they appear. The texts republished in the Rearview series are those that we wish to draw attention to because they reveal certain “blind spots“ in contemporary art criticism. These “found“ documents (indeed, quasi-artifacts) are... continue reading
Suzanne Blank Redstone’s “1960s Portal Paintings”

JESSICA SILVERMAN GALLERY, San Francisco

View of Suzanne Blank Redstone’s “1960s Portal Paintings,” Jessica Silverman Gallery, San Francisco, 2016.
by

Leigh Markopoulos

Fifty years after painting the earliest work in this exhibition, Suzanne Blank Redstone has her first solo show. The name may be unfamiliar, but her work at first glance appears to participate in a recognizably twentieth-century art-historical dialogue. Featuring primary-colored geometric forms and grids, her compositions instantly evoke Piet Mondrian,... continue reading

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Cardi Black Box
flashart
Friedrich Petzel
Afterimage
ArtAsiaPacific
Michael Kon
Sprueth Magers
Luisa Strina
e-flux iPad
GALLERIA MASSIMODELUCA
MIA Art Fair
Art Monthly
The Third Line