REVIEWS

/ ANIA SZREMSKI
View of Zardulu the Mythmaker’s “Tricconis Aeternis: Rites and Mysteries” at Transfer Gallery, New York, 2018.
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Ania Szremski

The summer of 2018 was grifter season. Starting sometime in May, a strange coterie of glittering personages came coasting along: hustling socialites, scurrilous aventuriers, faux–Saudi princes. The hoax has always had a special place in American mythology, from a newspaper editor convincing his readers there were unicorns on the moon... continue reading
Hiwa K, Pre-Image (Blind as the Mother Tongue), 2017.
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Ania Szremski

Hiwa K doesn’t believe that art can change anything. Following a screening of his videos at the Film Society of Lincoln Center, the Iraqi-Kurdish artist explained his frustration with the uselessness of the whole contemporary art enterprise in the face of profound global violence. To hear him say that he doesn’t... continue reading
The Armory Show and Independent Art Fair

VARIOUS LOCATIONS, New York

View of the Armory Show, New York.
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Ania Szremski

The art-fair think piece is as stale as the art fair itself. What could be said already has been, from puzzling over the mysterious machinations of the market, to annual denunciations from gallerists, and ethnographies of those who buy and those who sell. The form of writing that is truest... continue reading

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ARTIST

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GALLERIA MASSIMODELUCA
P420
Art Monthly
X-TRA
Air the paris
flashart
Carolina Nitsch
ArtAsiaPacific
Friedrich Petzel
Magazine Mousse
Michael Kon
Blum&Poe
MIA Art Fair