REVIEWS

/ Chateau Shatto
View of Chris Kraus's "In Order to Pass: Films from 1982–1995" at Château Shatto, Los Angeles, 2018.
by

Patrick Steffen

Dear Chris, How sweet it was talking with you at the opening of your show. You allowed me to introduce myself, so I could share some words I have longed to tell you since I arrived in this city. I was introduced to Los Angeles through your writings: a primal, unfettered... continue reading
“At this stage”

CHATEAU SHATTO, Los Angeles

View of “At this stage,” Chateau Shatto, Los Angeles, 2017.
by

Travis Diehl

Where to begin? Where else but at this stage? A cotton boll embalmed in a bell jar like the Disney rose in Beauty and the Beast (1991): Aria Dean’s Dead Zone (1) (2017) gives the rose’s place to a white commodity once harvested by black people made commodities. The cotton... continue reading
View of “Jean Baudrillard’s photography: Ultimate Paradox,” Château Shatto, Los Angeles, 2016.
by

Jennifer Piejko

In “Ultimate Paradox,” swaths of rich, saturated color hang across each of 20 framed photographs. Rust-hued powdery tree trunks overshadow a flittering, out-of-focus leafy green background (Alentejo, 1993), an angle which would have required the photographer to climb several meters into the tree’s branches; the acid-azure knotted tree trunk shot in Vaucluse (1992) matches an overstuffed... continue reading

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