REVIEWS

/ Gagosian Le Bourget
William Forsythe, Black Flags, 2014.
by

Jennifer Piejko

There were no hesitations, no missteps; no point at which one limb converged onto another, when one cut of cloth got caught up in another. A pair of machines, whose materials were listed obliquely, solely, as “readymade industrial robots,” rest promenade-style, side by side, oriented toward the entrance—toward me—before the... continue reading

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