REVIEWS

/ Galerie Krinzinger
View of, "Die Hegelmaschine trifft die Weltseele", Galerie Krinzinger, Vienna, 2011.
by

Max Henry

Looking at Nader Ahriman’s paintings is somewhat analogous to reading Wittgenstein’s Tractatus or Pound’s Cantos; you need a guidebook to navigate the arcane references and codes. Nonetheless, his artistic gravitas grabs you immediately, pulling you into his very own dialectic apparatus. Mythological man-machine hybrids abound in theatrical mise en scènes... continue reading

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