REVIEWS

/ Maureen Paley
View of Daria Martin's "At The Threshold," 
Maureen Paley, London, 
2016.
by

Morgan Quaintance and Lucy Reynolds

Double Take is a feature of art-agenda in which two authors review the same exhibition. Written separately, the two texts share the same images and are published below. — By Morgan Quaintance “I experience pain and sensation in response to seeing or thinking about another individual getting hit or touched on part... continue reading
Morgan Fisher,  Ilford Selochrome 120 September 1954, 2014.
by

Maria Palacios Cruz

Since Susan Sontag announced the demise of cinephilia in her prescient 1996 essay “The Decay of Cinema,” discourses around the death of cinema have been widespread, fuelled in part by the replacement of celluloid by digital technology. Since our understanding of the world has been so influenced by movies—one irrevocably... continue reading

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GALLERIA MASSIMODELUCA
X-TRA
Camera Austria
ArtAsiaPacific
Marion
Magazine Mousse
e-flux iPad
Peres Projects
Sprueth Magers
Spike
Aperture
P420
The Third Line