REVIEWS

/ Maureen Paley
View of Daria Martin's "At The Threshold," 
Maureen Paley, London, 
2016.
by

Morgan Quaintance and Lucy Reynolds

Double Take is a feature of art-agenda in which two authors review the same exhibition. Written separately, the two texts share the same images and are published below. — By Morgan Quaintance “I experience pain and sensation in response to seeing or thinking about another individual getting hit or touched on part... continue reading
Morgan Fisher,  Ilford Selochrome 120 September 1954, 2014.
by

Maria Palacios Cruz

Since Susan Sontag announced the demise of cinephilia in her prescient 1996 essay “The Decay of Cinema,” discourses around the death of cinema have been widespread, fuelled in part by the replacement of celluloid by digital technology. Since our understanding of the world has been so influenced by movies—one irrevocably... continue reading

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Cardi Black Box
Michael Kon
Peres Projects
Luisa Strina
Air the paris
GALLERIA MASSIMODELUCA
Aperture
flashart
Magazine Mousse
art-agenda
Camera Austria
Friedrich Petzel
Deweer