REVIEWS

/ Salon 94
View of Judy Chicago’s “PowerPlay: A Prediction,” Salon 94, New York, 2018.
by

Tess Edmonson

After the completion of The Dinner Party (1974–89), for a five-year period from 1982 to 1987, Judy Chicago interrupted her study of female subjecthood to focus instead on its political other, masculinity. The result is a series of paintings and bronzes titled “PowerPlay,” a selection of which is currently on... continue reading

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