REVIEWS

/ Lausanne
Louise Nevelson, End of Day XXII, 1972.
by

Quinn Latimer

It is difficult to describe the intense pleasure afforded by this small, precise exhibition of works by Louise Nevelson and Isabelle Cornaro. Although four decades separate these two artist’s series on view, their striking affinity lies in a shared interest in limits—each explores the frame and the monochrome—and the infinite... continue reading

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