REVIEWS

View of Chris Kraus's "In Order to Pass: Films from 1982–1995" at Château Shatto, Los Angeles, 2018.
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Patrick Steffen

Dear Chris, How sweet it was talking with you at the opening of your show. You allowed me to introduce myself, so I could share some words I have longed to tell you since I arrived in this city. I was introduced to Los Angeles through your writings: a primal, unfettered... continue reading
View of Peter Shire's "Drawings, Impossible Teapots, Furniture & Sculpture" at Kayne Griffin Corcoran, Los Angeles, 2018.
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Andrew Berardini

Los Angeles is an unruly city. Under shaggy palm trees and the bruised purple blooms of jacarandas, roads snarl in mile upon mile of naked asphalt and concrete lined with buildings from every conceivable shape and era. Mostly there are low-slung, postwar ranch houses and bungalows with yards swollen with... continue reading
Ken Lum’s “What’s old is old for a dog”

CCA WATTIS INSTITUTE FOR CONTEMPORARY ARTS, San Francisco

Ken Lum, Melly Shum Hates Her Job, 1989–2018.
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Monica Westin

Ken Lum is a prolific writer as well as a conceptual artist, deeply attuned to semiotics across media, whose past work includes a series of “language paintings” that depict nonsensical words in colorful designs. He would probably be amused to hear that I turned to the Oxford English Dictionary while... continue reading
Frieze New York

FRIEZE ART FAIR, New York

View of Frieze New York, New York, 2018.
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Orit Gat

It’s summer in May. It’s been a long winter, and a long semester teaching art history is drawing to a close. The past four months I’ve been talking to my students about the political possibilities of art: trying to convince them not to look away, but to be moved, to... continue reading
Goutam Ghosh, Tethys, 2018.
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Milena Hoegsberg and Natasha Marie Llorens

Double Take is a feature of art-agenda in which two authors review the same exhibition. Written separately, the two texts share the same images and are published below. —By Milena Hoegsberg Religion, magic, art, physics, and mathematics blend in Goutam Ghosh’s solo exhibition “Morph, blend and flatten (space) of Bird, Reptiles and... continue reading
Gallery Weekend Berlin

VARIOUS LOCATIONS, Berlin

Kara Walker, Fall Frum Grace, Miss Pipi's Blue Tale, 2011.
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Filipa Ramos

There are occasions in which the multifaceted shape of time becomes obvious. Occasions in which the concentration of similar initiatives, aimed at similar audiences and presenting similar outcomes, attest to the different moments in which organizations, individuals, and their mentalities are situated: how, despite coexisting simultaneously, collective mindsets aren’t contemporary... continue reading

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Art Monthly
The Third Line
Deweer
Marion
Camera Austria
Friedrich Petzel
Aperture
Cardi Black Box
galeria nara roesler
sp-arte
ArtAsiaPacific
Carolina Nitsch
Kaleidoscope