ANNOUNCEMENTS

Galerie Chantal Crousel

October 19, 2018

Anri Sala: If and Only If on view at Galerie Chantal Crousel, Paris

Galerie Chantal Crousel is pleased to present the fifth solo exhibition by Anri Sala, on view through Saturday, November 24th. The artist presents two new films, as well as a series of drawings and sculptures. Each work explores in its own way and with the means of its medium, the impact of a singular action –i.e a manipulation– on an existing situation, composition or object. Sala’s film If and Only If (2018) will be projected in the... continue reading

Galeria Solo

October 17, 2018

Christian Boltanski at Galeria Solo

Galería Solo, Madrid, is pleased to announce the representation of Christian Boltanski and his first solo show in Madrid. Christian Boltanski is one of the most important international artists working today. For his first exhibition in Galería Solo Madrid, he creates a dialogue between his historical and contemporary works, pursuing that which gives his oeuvre its singularity and richness: the basis of humanity, its fears, beliefs, and... continue reading

Jane Lombard Gallery

October 16, 2018

Jane Lombard Gallery presents book launch and panel discussion for James Clar

Please join us for the closing of James Clar's The World Never Ends with a book launch and panel discussion featuring artists James Clar and Paul Pfeiffer, moderated by independent curator Julia Kaganskiy, former director of New Museum's technology incubator New Inc.... continue reading

REVIEWS

“12th Gwangju Biennale: Imagined Borders”
12TH GWANGJU BIENNALE, Gwangju
View of “The Art of Survival: Assembly, Sustainability, Shift,” curated by Kim Man seok, Kim Sung woo, and Chong-Ok Paek, Asia Cultural Center, Gwangju, 2018.

by AMY ZION

What is art’s role when geopolitical tensions run high and technology makes it difficult—perhaps even irresponsible—to tune out of the perpetual state-of-emergency news cycle that promises, and often delivers, news that impacts the daily lives of people near and far. That’s a reasonable question on many curators’ minds when they... continue reading

Trisha Baga’s “Mollusca & The Pelvic Floor”
GREENE NAFTALI, New York
Trisha Baga, Mollusca & The Pelvic Floor, 2018.

by LEO GOLDSMITH

Trisha Baga’s third exhibition at Greene Naftali is also her most ambitious. “Mollusca & The Pelvic Floor,” like its cosmically hilarious and dizzyingly psychedelic predecessors, features a dazzling and untidy collection of found, handmade, and moving-image works: from doctored lenticular posters of human anatomy to idiosyncratic ceramic representations of everyday... continue reading

“Heavenly Beings: Neither Human nor Animal”
MUSEUM OF CONTEMPORARY ART METELKOVA, Ljubljana
View of “Heavenly Beings: Neither Human nor Animal” at Moderna galerija, Ljubljana, 2018.

by ALENKA GREGORIC

“[A]re humans able to resist together with plants and animals?”(1) With this question, Zdenka Badovinac and Bojana Piškur invite viewers to consider the possibility that all living things can coexist—and co-resist. Most animals are so dependent on human actions and choices for their survival: they likely do not ponder ways... continue reading

DOSSIER

Marion
Carolina Nitsch
Afterimage
Luisa Strina
Air the paris
Tulips & Roses
galeria nara roesler
The Third Line
Friedrich Petzel
Sprueth Magers
Michael Kon
Anton Kern Gallery
X-TRA