Annlee quietly welcomes you to the Fridericianum’s ticket counter. Though she is still invisible, her voice embraces those standing in the great entrance hall of the museum. “Can you imagine me?” she asks melancholically, “I can imagine you… It’s easy. I can see you. And I can see her.” Her face appears in Pierre Huyghe’s video Two Minutes Out of Time (2000), projected on a big white wall that serves as a screen, visible right after you pass a bright neon sign that reads, I Do Not Own Snow White (2005). Annlee, like Huyghe’s neon, is a never-ending story of copyright and authorship. After purchasing Annlee from a Japanese agency, Huyghe and Philippe Parreno used her image in their works—as in Huyghe’s video, which explores the disembodied space the animated character inhabits, and her multiple personas—and licensed her out to other artists as well. Curated by Susanne Pfeffer, “Images” is a group show in which images are indeed the artists’ starting point. After encountering Snow White and Annlee, one thinks of image appropriation as it was famously framed in the canonical exhibition “Pictures,” curated by Douglas Crimp for Artists Space, New York, in 1977, which questioned both the possibility and the …