Mirroring a range of ephemera and printed matter on the periphery of exhibition making, publishing, and artistic practices, Brussels-based MOREpublishers have presented the group show “EXHIBITION” to reflect on their own activities of commissioning artist editions. By employing a syntax of framing and formatting, “EXHIBITION” plays on both the notion of an exhibition and that of a publishing house as an image by fragmenting and de-centralizing the various elements and components of printing, and presenting specific works that animate an otherwise static visual culture. At the center of “EXHIBITION” is a conversation: in lieu of a press release, the edited transcript between artist Michael Van Den Abeele and MOREpublishers, Butlers for Butlers, serves to breakdown the hierarchy between “servers.” It also serves as an allegory for institutional procedures: how image and text, exhibition and publication, presentation and documentation can potentially (or not) serve each other in a self-contained, self-referential system. Oscillating between authorship and readership, producer and consumer, labor and leisure, the individual works of the show construct a form of architecture (a Château, a master) that overshadows the circulation of material as a server to images. For instance, Richard Venlet has painted the windows of the gallery to delineate its perimeters …