Standing in front of Drawings on a Conversation (2012) at the Nature Morte booth in the midst of the 5th India Art Fair, one cannot help but relate its dense and chaotic weave to the general experience of art viewing in Delhi this week. Indeed, this work by Raqs Media Collective feels like inhabiting a conversation that relays back and forth—entanglement after entanglement—until its point of origin is impossible to find. While Raqs constructs an affective inquiry into collective labor, “thought signals,” and body-time relations through this recent series, the trails we can trace out here are somewhat anxious—shuttling between the gigantic tents of the India Art Fair within the exhibition grounds of the National Small Industries Corporation (NSIC) in south Delhi and the cultural venues that lie beyond. Before arriving at the Indian capital, many had just visited the Jaipur Literature Festival, which is now considered among the major events of the literary world. The India Art Fair has steadily grown since its inception in 2008, attracting not just the routine crowd of fair-hoppers but also independent researchers, museum teams, international students, and most significantly a broad local public. Over the fair’s three-day span, the cultural cartography of Delhi greatly …