10 Anarcho-communist minutes (all works, 2013) consists of a long list of general questions about collectivity—though it could be a rhetorical monologue or an address to an imaginary spectator. They are written on yellowish pages torn from a book dedicated to foundry work and sand molding. These pages are suspended in a curved line in the gallery space. When walking slowly around this text-sculpture and reading earnest questions—“Can everyone work?” and “What do you desire?”—one cannot ignore the fatigued images of metallurgists, furnaces, other complex machinery, and some (rather scary) chemical formulae on the pages. At a certain stage one begins to wonder: what is the heavy machine industry doing in a show on hysteria? An answer lies in Zbyněk Baladrán’s other sculptural texts. In fact, in order to read them the spectator-cum-reader has to twist and turn his neck, bend down, or go up on tippy toes, and, in some extreme cases, lie down on the floor to locate some particularly inaccessible parts. Driven by the thoroughness of a trained art historian, I seriously intended to do so, but was intercepted by the gallerist, who politely indicated the presence of the exhibition brochure. There weren’t many viewers in the space …